The Folly’s Architecture
Architectural historian Nikolaus Pevsner’s description of The Folly as ‘capricious and wilful’ sums up a building which challenges any easy explanation, but strongly reflects the inclinations of its builder, Richard Preston.
Architecturally, The Folly is something of an enigma, combining features which were the height of fashion in the 1670s – the alternating long and short cornerstones on the front exterior – with those of a century earlier – the ground floor windows with their semi-circular heads. These windows are also remarkable for the way in which they wrap around the corners of the house to form a near-continuous wall of glass. Light was obviously of great importance to Richard Preston.
The front elevation makes an immediate impact. Of special interest are the arched windows at first floor levels and the three square-headed niches set below the top floor windows, possibly intended to hold sculptures.
The main entrance has a highly unusual and elaborate doorcase flanked by fluted columns. Above the door is a much-weathered datestone in a traditional North Craven style, incorporating the initials of Richard and Lettice Preston and the date 1679.
The rear of the house is much plainer and some of the masonry at the north end appears much older than the rest, suggesting that an earlier building on the site may have been incorporated into Preston’s new house.
The plan of the house is conservative. The central hall range, containing the most important rooms, is slightly set back from the north and south ranges. The north range, with its separate entrance, was the service wing containing a dining parlour, kitchen and storerooms. The principal room in the south range is also named ‘parlor’ in Preston’s probate inventory. The prominence of the staircase and the existence of additional fireplaces indicates that there were also important rooms on the first floor. The unheted top floor would possibly have been used for storage. A notable feature is the stair tower with a prospect room at the top, now accessible only through a small ceiling hatch.
Main features of the interior of the house include the principal inglenook fireplace with its arch of ‘joggled voussoirs’ or keystones, which still bear the original numbering on their inner faces. There is a second inglenook fireplace in the north range.
Masons’ marks in the form of the letters ‘K’ and a reversed ‘F’ appear inside both entrance lobbies.
The oak panelling and doors are probably original and survivors of the fire which destroyed more extensive panelling in 1900.
The ‘dog-leg’ staircase is made of oak, with beautifully twisted balusters, a moulded handrail and ball finials.